The Garden of Emoji Delights Sticker set includes characters extracted from The Garden of Emoji Delights, a digital painting and animation I produced as a translation of Hieronymus Bosch’s most famous work, The Garden of Earthly Delights. The stickers include: “Burger Boy & Businessman,” the “Shrimp Mermaid Goddesses,” “Princesses in a Pool,” “Bros on Bikes,” “Amorous Pig Nun,” “Money Angels,” and more….
Carla Gannis is an interdisciplinary artist based in Brooklyn, New York. She produces virtual and physical works that are darkly comical in their contemplation of human, earthly and cosmological conditions. Gannis’s work has appeared in exhibitions and projects across the globe. Recent projects include “Portraits in Landscape,” Midnight Moment, Times Square Arts, NY and “Sunrise/Sunset,” Whitney Museum of American Art, Artport. Publications who have featured Gannis’s work include Hyperallergic, The Wall Street Journal, The New York Times, El PaÍs and The LA Times, among others.
*Canadian artist, who has actively exhibited her work in both solo and group exhibitions since the early 1990’s, both in Canada and Internationally. Her practice has included obsessive Ilfochrome printing, obsessive painting, obsessive super 8 film & video, and obsessive on-line animated GIFs incorporated into restrained off-line installation work. Recent exhibitions include “Abrupt Diplomat” at the Marshal McLuhan Salon for Transmediale, “At Play in the Fields of the Lord” at Transfer Gallery, Brooklyn NY and “DKRM” at DAM Gallery, Berlin. Mills has also co-curated monthly group GIF projections, with Rea McNamara, for the “Sheroes” performance series in Toronto, a group GIF projection event “When Analog Was Periodical” in Berlin with Anthony Antonellis, and a four person GIF installation, “:::Zip The Bright:::” at Trinity Square Video in Toronto, with Sara Ludy, Nicolas Sassoon and Rick Silva. Lorna Mills‘ most recent curation project, “Ways of Something” is a collaborative remake of the 1972 John Berger documentary “Ways of Seeing” episodes one through four, featuring 113 networked artists. (quoted from http://methodsofart.net/artist/lorna-mills/)
As an starting point we choosed to port our older (2011) work [Generation of Princesses](https://generaceprincezen.cz) to inline bot for generating a specific sticker set (https://t.me/addstickers/GPv1_by_mtzgpbot). During the residency it was possible to all Telegram users to spread this set by using @mtzgpbot. The set reached its end in 120 stickers.
Generation of Princesses grew up from our skepticism of massive image producing on one hand and from the lust of human being to see and emotionally engage the image of face in almost anything which contains three separated spots on the other.
It seems to be the trademark of man throughout his history (totems, masks, portraits, goddess, icons, idols, end emoji), it is a first thing the newborn is going to learn. Almost everything you want to sell to a human being has to have a face, a show on site, a distinguishable expression (car, movie, computer, artist).
We see the Generation of Princesses with its teenage look, pattern-driven logic, self-identification moment, algorithmic encapsulation and ability of producing bunch of outputs actualise itself in an incoming era of AI produced images and as such it make sense for us to introduce it again in the form of Telegram bot.
In this case we were interested not only to produce, even low-res, AI generated stickers. After all, the core concept remained the same as before, three dots in colored blob as emotionally tinged face. The main direction was to take advantage of the residency to deeply explore pitfalls of training AI in general. To explore its exclusiveness in the sense of knowledge, emic, time and for sure a technical equipment. We would rather be able to bring some new and shocking ideas, but please wait…
* Generation of Bastards sets are automatically versioned until reach the maximum of stickers in set (119)
In puting preloaders in the place of emoticons we try to point up, that the most emotional moments we experience in the front of a computer may be watching the loading bar or the spinning preloader until expected content is prepared.
This forced waiting moments are the very rare moments in the interaction with computer, where we have time to observe our emotions and their origins. And maybe decide to not to load what we thought we would like to load before.
Another topic of this sticker set is the politics of the illusion of the fastest, the immediate, direct, clear and the round-the-clock service we expect from the communication with computer programs as well as from the communication with humans and ourselves.
Barbora Trnková, together with Tomáš Javůrek, forms the Czech artistic duo working under the common pseudonym & on the metazoa.org domain. Together they create web applications, wifi installations, mobile applications as artworks. They explore – with their own sense of ontologically or tautologically based philosophy, intimacy and subtle humor – the possibilities of technologies as an interface om on which inhuman actors meet through human actors. In 2012, they established and run ScreenSaverGallery, an online exhibition project accessible as a screensaver on a user’s personal computer. At present, both of them work as doctoral Candidates at the Faculty of Fine Arts in Brno University of Technology, which they completed in their previous studies. At the same time, Tomáš Javůrek is an assistant at the Photography Studio at FaVU and also works as an assistant professor at the Department of Intermedia at the Academy of Fine Arts and Design in Bratislava. They recently opened a discussion about big data and art in Czech republic with the ongoing project Datatata (https://datatata.info/).
Emilie Gervais’ work focuses on languages, play and network culture while exploring the relationships between internet, art and its mediation, addressing topics such as identity, aesthetics, functionality, materiality and www archeology.
is a speculative realtime renderization of feelings of neglected technoscientific agencies in outer space. It is a sticker set from lonesome machines from spatial exploration first published in the Telegram group “Zentrum für Netzkunst”.
For humans, machines are “either serviceable or threatening” (Puig, 2011). They socially function “as mediators – that is, actors endowed with the capacity to translate what they transport, to redefine it, redeploy it, and also to betray it” (Latour, 1993: 81 qtd. in Puig). Sometimes, added to this intrinsic value, comes the technological fate of becoming spatial debris or ending in an endless idle.
Do these machines have feelings? Are they capable of having an aesthetic experience?
Artist: Nieves de la Fuente
is an artist living and working between Madrid and Cologne. She is also a Research Assistant at the Academy of Arts Burg Giebichenstein investigating with VR, media installations and interactive experiences.
To see faces in random compilations of objects is a natural thing. Just like the wish to adorn yourself with something that makes you feel prettier, like jewellery. The consequence of this observation is as clear as a flawless diamond: The world needs Telegram Stickers in the form of jewellery. To express feelings with a glimpse of glamour in the everyday Telegram conversation.
Working on her Diploma in Jewellery Art at Burg Giebichenstein University of Art and Design, Marie Luise Möller investigates status symbols, the human desire to own wickedly expensive jewels, group affiliation and how to deal with all this. Creating jewellery Telegram Stickers is now part of her Diploma in which she first started to make analogue, sticky stickers from expensive “classics” like the Tiffany engagement ring, the Cartier love bracelet, the Rolex watch and others.
On the other hand Marie Luise Möller treasured up boxes full of old, cast-off jewellery over uncountable years. This cast-off jewellery from other people is filled with forgotten memories and weighs a lot – physically and mentally. This unhappy family of shabby adornment deserves a new life, but let them speak for themselves!
is a jewellery artist, currently based in Halle (Saale), Germany. She studied Artistic Metalwork in St. Petersburg, Russia and had exhibitions in Lisbon, Prague and Halle (Saale). She was nominated for the GiebichenStein Designprize 2018 and one of her projects was published in the AUTOR magazine: The Beauty Issue.
Comment: Emotions are complicated. How can a pictogram like 😂 possibly communicate a very complex composition of human emotions, moods and vibes? The synaptic events in our brains deserve more than simple emojis!
Our emotions can (and will) be translated into data and once they are data, they can be visualized. Which is why we need graph stickers. Graphs and diagrams simplify and illustrate complicated information. With graph stickers, we can visualize our inner complexities and display them in a practical and a visually appealing manner.
By taking away the scientific context and changing the obscure labels of graphs, we opened them up for new interpretations. Once stripped of their specialized content, the accessible visual language of a graph shines. Now they can be used to express individual, human subjectivities. But also, sometimes, the original content of a graph can be directly linked to an emotional state as well.
Not bound to the cold, numeric world of scientific data anymore, a graph sticker might be able to perfectly convey that awkward feeling of being at a party where you don’t know anyone. While standing in the corner, texting, you can at least simplify things by sending one of these graph stickers.
Artists: New Media Class Kunsthochschule Kassel (2019/20)
Established in 2003, the New Media Class of Kunsthochschule Kassel deals with technologies, digital infrastructure and the attempt to leave behind obsolete patterns of communication. Reflecting social discourses is part of the agenda as well as artistic experiments. Since 2018, Rosa Menkman takes the role of the deputy professor. She is part of the Telegram sticker residency with her set “Les Inconnues”. The Graph Sticker Set is a collaborative project by: Vreneli Harborth, Malin Kuht, Fabian Gimpel, Fabian Heller, Niels Walter, Saskia Kaffenberger, Jan-Hendrik Gebbe, Christopher Cäsper and Yannick Stark.
fundamental part of the history of image-processing, webdesign, and the
standardization of settings within both analogue and digital media are test
cards, placeholder images, bots and virtual assistants. Engineers used these
female objects to evaluate the quality of image processing, the rendering and
composition of architecture and to make these latent spaces more amicable.
While these women seem to be able to prolong their existence for as long as the
(digital) realms will copy and reuse them, most of them have lost their name
Nique pour les Inconnues is a Telegram sticker set, made of the 24 clockface
emojis, each connected to a sticker of an Inconnue (an unknown or ghost) and
Artist: Rosa Menkman
Rosa Menkman is a Dutch art theorist, curator, and visual artist and currently a professor at the Kunsthoschschule Kassel.
we would like to invite you to our opening at Haus der
Statistik (Otto-Braun Straße 70-72, Berlin) on 25th of Januaryfrom 2 till 8 pm.
There will be a life-telegram-performance
of the New Media Class of Kunsthochschule Kassel at 5 pm.
Since September 2019 the Center for Net Art invites artists and activists to create sticker sets and publish them on the Telegram Channel https://t.me/ZentrumderNetzkunst. Existing works are taken up, but also new concepts are developed. All artists and activists are administrators of the channel, so that the stickers can be used inside and outside the channel and circulate in chats.
Established in 2003, the New Media Class of Kunsthochschule
Kassel deals with technologies, digital infrastructure and the attempt to leave
behind obsolete patterns of communication. Reflecting social discourses is part
of the agenda as well as artistic experiments. Since 2018, Rosa Menkman takes
the role of the deputy professor. She is part of the Telegram sticker residency
with her set “Les Inconnues”.
The Graph Sticker Set is a collaborative project by:
Vreneli Harborth, Malin Kuht, Fabian Gimpel, Fabian Heller, Niels Walter,
Saskia Kaffenberger, Jan-Hendrik Gebbe, Christopher Cäsper and Yannick Stark.