Telegram Residency (3)

Set: IOCOSE moving DADA forward

Comment:  This collection of stickers is a collage from the DADA magazine
cover Le cœr à barbe (Paris, France, 1922). It is part of a larger
series of works in which IOCOSE move the world forward, one object at
the time.

Set: IOCOSEMovingForward

Artist: IOCOSE

IOCOSE’s art investigates the after-failure moment of the teleological
narratives of technological and cultural development, in regards to both
their enthusiastic and pessimistic visions. IOCOSE believe that, in the
long run, both utopian and dystopian narratives will disappoint, and
much more mundane and varied realities will remain. IOCOSE’s focus is on
the present moment in which the future is narrated, and on the ways in
which these narratives are always already failing.

IOCOSE have been exhibiting internationally at several art institutions
and festivals, including Venice Biennale (2011, 2013), Tate Modern
(London, 2011), Science Gallery (Dublin, 2012) Jeu de Paume (Paris,
2011), FACT (Liverpool, 2012), MACRO (Rome, 2012), Transmediale (Berlin,
2013, 2015), Shift festival (Basel, 2010), The Influencers (Barcelona,
2010, 2013), TAJ and SKE gallery (Bangalore, 2014).

Telegram Residency (1)

Sets: ICNS and #ALRT  

Comment: two sticker sets with altogether 65 black and white stickers.

Artist: Joan

Joan is part of the artist duo JODI. Joan & DIrk abuse the Internet for artistical practice since the mid-1990s. Their website JODI.org was the first website that explored the World Wide Web’s new codes and conventions. At its release in August 1995 the website was rejected by the WWWeb Directory because it appeared ‘broken’and malicious.(Debates on the possible damaging effects of the site continue untill today) In 1996 the site was declared Net.art/> by an email glitch that spread via the Nettime mailinglist. Since then /meta name=”viewport” content=”width=devicewidtover%##00ff00evelop/32/1 ment/3/3oofe2t.a2r3n.231gro 33wing/2MscK&leub.dis2co33n_p9783-0-=10 23 NOD3Iwqc3reate3dm2a^%&*nypr3o_3cts/th32at/f333ed/\/3313/2132fut231her/sC

Telegram Residency (2)

Set: iintima

Comment:  50 stickers made from the deleted intima.org net art works Expunction (1996-2007). “Our memory serves to deceive, to betray us, to misrepresent rather than paint and describe the past.”

Artist: Igor Štromajer

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc. His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM.

Pionier-Nutzung im Haus der Statistik

pioniernutzung haus der statistik

Das Zentrum der Netzkunst rekonstruiert, erhält und bewahrt Netzkunst und Netzkultur. Die Initiative erforscht Möglichkeiten der Archivierung und wissenschaftlichen Kontextualisierung. Im Haus der Statistik wird die bisherige Forschung ausgestellt und zugänglich gemacht.

11.09.2019 – 30.09.2019
Eröffnung: 11.09.2019, 17.00h